I learned an enormous, unquantifiable amount from my amazing tutor Erin Kelly about the craft of writing, from creating suspense and atmosphere to structure and voice; but almost more important was the confidence I gained from somebody else reading my work and saying it was OK.
Janet Reid, Literary Agent: Writing courses: Curtis Brown Creative Photograph: Antonio Zazueta Olmos I doubt Hanif Kureishi, when he spoke at the Bath literature festival on Sundayanticipated his comments about creative writing courses being a "waste of time" would end up all over the press.
All I know is that for me, it was the best decision I have ever made and it has changed my life utterly, leading to agent representation and ultimately to a publishing deal for my debut novel Friend Request. The best they can do is polish what is there, by fixing up technique.
Towards the final couple of weeks some really exciting things started to happen. There were three submissions in total per week meaning we were reading up to 9, words each week and giving feedback on them. This leads of course onto another contentious issue: cost. In my experience, what most writers on university postgrad courses really want is to find out if they can write a publishable novel.
I consulted a friend of mine, the only person I knew who had written a book, and whom I knew had taken creative writing classes in the past.
I doubt if it would be financially viable for CBC to charge much less than they do. I finished it surprisingly quickly, and edited it and had everything submitted with days to spare. All our courses are taught by published authors with input from the literary agents, plus guest visits from publishers and other authors.
They have an innate talent and ability and can produce a quality, well-received piece of work that will set the literary world on fire.
Writing a story is non-technical and no school can teach anyone to write a story. There are enough examples of successful writers whose technique is all over the place, such as JK Rowling. Another hugely important aspect of this course is that it allows you to work with professionals in the industry and it gives you contacts.
The second is so that they can continue to provide the highest level of teaching and service. I am well aware of the costs, both direct and indirect, of putting on these kinds of things. That is free and will remain so.
I bet curtis brown creative writing course review take manuscripts from writers from particular courses dissertation research questions you know and where you know the people running them before anything unsolicited.
Yes there are some incredibly talented authors that do it all by themselves. Thus, each student would get fifteen different pieces of feedback, one from Catherine and one from each of their fellow students.
The whole approach is different to my previous experiences of creative-writing courses.